Patterns from the Past

This page is aimed at re-enactors like myself who want to weave historically accurate or nearly accurate bands but are not possessed of godlike weaving powers - and aren't sure where to start looking for information. I will add new patterns here as I learn more and have time to write up instructions.

These instructions are aimed at people who have done a little tablet weaving but are not very experienced. Please let me know if you find any mistakes or if you think anything could be clearer.

Authenticity Grade "A" Patterns

These instructions will allow you to weave a replica of a specific early-period band.

The Narrow Oseberg Band

Band from Oseberg, Norway

Date: early ninth century AD.

Difficulty: very easy.

This simple but elegant band was found in the Oseberg ship burial and is one of the most securely dated and located bands that is known. The original was woven some time before 834 AD when the ship was buried. A variation that can be woven on the same warp setup is also described.

Instructions to weave the narrow Oseberg band

The Laceby Band

Band from Laceby, Lincolnshire

Date: early seventh century AD.

Difficulty: medium.

A linen fragment was found attached to a square-headed bronze brooch in an Anglo-Saxon burial ground at Laceby, Lincolnshire. The find was dated to about 600 AD. These instructions describe how to weave Grace Crowfoot's reconstruction of the pattern, a minor variation of the same, and also two motifs from the later Maaseik tablet weaving that can be woven on the same warp set up.

Instructions to weave the Laceby band

The Snartemo II Band

The Snartemo II Band

Date: early sixth century AD.

Difficulty: easy.

The original band was found in Hægebostad in the southern part of Norway and dates to about 500 A.D. The tablets in the central area were threaded with only two threads per tablet, the border tablets with four.

Instructions to weave the Snartemo II Band

Cambridge Diamonds

Cambridge diamonds

Date: disputed. Early Anglo-Saxon, or mediaeval.

Difficulty: easy.

A dyed linen fragment attached to a broken copper-alloy strap end was found in St John's Field, Cambridge, and the original archaeologists described it as Anglo-Saxon. The origin is debated: Penelope Walton Rogers writing in "Cloth and Clothing in Early Anglo-Saxon England" considers this strap-end fragment to be mediaeval based on weaving technique and the style of the strap end, but Gale Owen-Crocker accepts it as Anglo-Saxon in "Dress in Anglo-Saxon England". Either way it is an elegant piece, easy to weave and unusual in that it is double-sided.

Instructions to weave the Cambridge diamonds pattern

Finnish SZ

Band from Kaukola, Finland

Date: approximately 1200 AD.

Difficulty: easy.

The Kekomöki cemetary in Kaukola, Finland was excavated in the 19th century and a number of interesting textile fragments were discovered. This band has been lost but a detailed drawing exists which shows it as being sewn to the edge of a piece of cloth. The number of tablets used has been estimated between 5 and 7. This version uses eight tablets which makes the weaving instructions simpler.

Instructions to weave the Finnish SZ band

Finnish Diamonds

Band from Kaukola, Finland

Date: approximately 1200 AD.

Difficulty: medium.

A diamond-patterned band was found at the same cemetery in Finland as the Finnish SZ band described above. This band has also been lost and only Theodor Schwindt's drawing remains. The reconstruction shown here is woven using the same threaded-in method as seen in the Cambridge diamonds fragment.

Instructions to weave the Finnish diamonds band


Authenticity Grade "B" Patterns

These patterns have been adapted to make them easier or quicker to weave. However they use period motifs and techniques.

Mammen-inspired Diagonals with Soumak

Design inspired by the broad band from Mammen

Date: 10th Century AD.

Difficulty: easy.

The broad brocaded band from Mammen (10th Century, Denmark) features a repeating diagonal motif with additional patterns in between. The original band is embellished with metal brocade (a form of surface weft decoration). This much simplified version includes optional "soumak" weft decoration, which is effectively embroidery that has been worked as you weave the band. The basic band is very easy to weave, though adding soumak is a little more challenging.

Instructions to weave the Mammen-inspired diagonals

Motifs from Mammen Woven in a Missed Hole Technique (eight tablets)

Design inspired by the woollen band from Mammen

Date: motifs 10th Century AD, technique 12th Century AD

Difficulty: easy.

Diagonal motifs from the Mammen woollen band can be woven in an Icelandic "missed hole" technique, using eight pattern tablets. An additional Viking-style motif that can be woven in the same way is also described.

Instructions to weave the Mammen-inspired diamonds

Motifs from Birka and Mammen Woven in a Missed Hole Technique (ten tablets)

Design inspired by Birka B12 and the narrow Mammen 
brocaded band

Date: motifs 10th Century AD, technique 12th Century AD

Difficulty: easy.

The Birka brocaded twining motif and the design from the narrow Mammen brocaded band can be woven in an Icelandic "missed hole" technique, using ten pattern tablets. An adaptation of the diamonds motif from the woollen Mammen band and another two Viking-style designs are also described.

Instructions to weave the adapted Birka and Mammen motifs

Simplified mediaeval motifs in double-faced repp-effect weave

Mediaeval motifs in repp-effect weave

Date: motifs 13th Century AD, technique Iron Age through mediaeval

Difficulty: medium.

The double-faced repp-effect weave is known from Roman Iron Age, early Anglo-Saxon and 13th century finds. It lends itself well to block patterns. A selection of motifs inspired by a 13th century Scottish seal tag are described.

Instructions to weave the double-faced repp-effect band


Archive

These instructions have been superceded by new patterns above that are either more authentic or better documented. I have not removed them in case anybody has linked to them, or prefers these versions.

Adapted Birka Twining Motif

The Adapted Birka twining motif

Date: motifs 10th Century AD, technique fourth Century AD

Difficulty: easy.

This is based on one of many silver-brocaded bands from Birka in Sweden, dating to the Viking age. This version features the same motif but adapted to be woven as a warp-twined pattern with four threads in each pattern tablet, using a threading scheme known from late Coptic tablet-weaving.

Instructions to weave the Adapted Birka twining motif

The Cambridge Belt

The Cambridge Belt

Date: disputed. Early Anglo-Saxon, or mediaeval.

Difficulty: easy.

A dyed linen fragment attached to a broken copper-alloy strap end was found in St John's Field, Cambridge, and the original archaeologists described it as Anglo-Saxon. The origin is debated: Penelope Walton Rogers writing in "Cloth and Clothing in Early Anglo-Saxon England" considers this strap-end fragment to be mediaeval based on weaving technique and the style of the strap end, but Gale Owen-Crocker accepts it as Anglo-Saxon in "Dress in Anglo-Saxon England". Either way it is an elegant piece, easy to weave and unusual in that it is double-sided.

Instructions to weave the Cambridge belt

The Snartemo II Band

The Snartemo II Band

Date: early sixth century AD.

Difficulty: easy.

The original band was found in Hægebostad in the southern part of Norway and dates to about 500 A.D. The tablets in the central area were threaded with only two threads per tablet, the border tablets with four.

Instructions to weave the Snartemo II Band